Photo by Emra Islek

“…she [Chou] hit upon a novel expression for her sax—and her vocals—by embracing her Chinese heritage and using its musical folk and pop legacy to create a unique blend of traditional Chinese, classical and jazz. She showcased this superbly at Lincoln Center’s David Rubenstein Atrium on Thursday, March 8 to a full house.”

“With her exquisite arrangements, she [Chou] led her quartet, including the standout of the evening string and erhu player Andy Lin…on a rousing and lyrical set focused on her impressive album Asymptote.”

“What was so remarkable about Chou’s performance was its tasty diversity of styles....”
— Jazz critic Dan Ouellette, ZEALnyc; from his review of Stephanie Chou’s show at the David Rubenstein Atrium at Lincoln Center, March 8, 2018.

Stephanie Chou is a genuine triple-threat in the music business. A multi-instrumentalist, she plays alto saxophone and piano at the level of virtuosity, and also sings in an expressive, highly personable manner with a wide range. Chou’s work challenges expectations and defies categorization, but its brilliance in terms of conceptualization and performance makes the music compelling and wholly enjoyable listening. The emotions in her soundscapes are real threads of the human drama.

Simply exquisite, the instrumentalists and Chou’s vocals [are] placed perfectly in the arrangements to create an unmistakable mood.
— The Gazette, 8/18/16, Thomas Staudter

Steph Chou’s Prime Knot is as impressive a musical debut as it is intellectually challenging - a project born from the notion that the pristine beauty of pure mathematics (Chou’s primary area of study at Columbia University) can reflect and inform the immutability of musical inspiration. Using a simple Chinese melody as a recurring theme, Chou constructs an album packed with smart, hip arrangements, played with lively precision and marked confidence. It says a lot that she was to recruit such a talented group of players to help her bring her music to life - pianist Jeremy Siskind, trumpeter Marcus Printup, and drummer Ronen Itzik especially. It says even more that Prime Knot is her first effort - an unlikely treasure from a relative unknown that can stand next to most recent jazz releases.
— Ashley Kahn, author of A Love Supreme: The Story of John Coltrane's Signature Album, Kind of Blue: The Making of the Miles Davis Masterpiece, and other titles. He teaches music history and journalism at New York University.